VICTORY HINDI MOVIE REVIEW

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Sports movies are intrinsically formulaic. When we walk into the theatre we know that we’re going to see an inspiring story about an underdog who defies all odds, redeems himself and becomes a winner. The climax will of course feature a match, which will have a nail-biting finish. We don’t go to these movies for the plot. We go hoping to find pleasure in the telling of the tale.
In Victory, director Ajitpal Mangat marries the sports film formula to the small-towner-seduced-by-the-big-city formula and creates a painfully predictable and tedious film.
Hurman Baweja plays Vijay, a cricketing whiz from Jaisalmer, who goes from small town nobody to international cricket sensation in a few scenes.
The consecutive sixers on the pitch are followed by a song that celebrates money and before you know it our simple boy is slugging back the whisky and cavorting in a Jacuzzi with blondes.
Naturally no good can come from having so much fun. Mangat pulls off some nice stadium scenes but the excitement isn’t enough to light up the rest of the film, which is old fashioned in the worst sense of the word.
So, the clichés pile up, every emotion is underlined and everyone pitches performances at an ear-splitting level. Harman grimaces, weeps and grins so hard that it’s exhausting to watch. Even the usually dependable Anupam Kher playing the cricketer’s upright father, is reduced to a joke. Victory is a test of patience. This one is for die-hard cricket fans only.

Luck By Chance MOVIE REVIEW

Director: Zoya Akhtar
Cast: Farhan Akhtar, Konkona Sen Sharma, Rishi Kapoor
Rating: Movie Rating

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Luck, they say, is an important factor in the film industry. But talent is equally important. Thoughtfully, Zoya Akhtar doesn’t rely on plain chance in her directorial debut but exhibits immense aptitude while largely highlighting the significance of fate in films.
Luck By Chance is the story of an aspiring actor Vikram (Farhan Akhtar) who comes from Delhi to Mumbai to make it big in films. Sona Mishra (Konkona Sen Sharma) has been struggling for more than a couple of years in B-grade cinema and wants to switch to more meaty roles.
Meanwhile film producer Rommy Rolly (Rishi Kapoor) announces a new project starring popular film-star Zafar Khan (Hrithik Roshan) alongside Nikki (Isha Sharvani), daughter of yesteryear actress Neena Walia (Dimple Kapadia).
Zafar’s exit from the project is Vikram’s entry ticket to Bollywood. Luck shines bright on him as he is short-listed for Rolly’s film and selected to play the male lead. But as he gains professional fame, his personal life goes for a toss with a failed relationship with girlfriend Sona.
The uniqueness of Luck By Chance is the cheeky spoofs it attempts on the functioning of the film industry without exaggerating the outcome (like in Nagesh Kukunoor’s Bollywood Calling ). Luck By Chance has some of the best employed cameos which are not just stuffed in for star-value but go in sync with the script. Zoya manages to pull off satire on several actors who make you laugh at their own expense (notably Mac Mohan, Sanjay Kapoor and Anurag Kashyup). Also the film-in-film setting gives ample scope for several parody pieces on Bollywood clichés.
While Bollywood is essentially employed as the backdrop of the film, it doesn’t form the backbone, with the protagonist’s character-graph taking prominence. It starts with Vikram’s self-assured struggle to get into movies, progresses with his ethical corruption resulting from fame and culminates with his remorse. However, with the rejection of his repentance, the film opts for an abrupt climax where the protagonist suddenly switches from Vikram to Sona. The movie culminates on a pragmatic note much in the Madhur Bhandarkar mould, though it evades such treatment through its run by not getting hard-hitting heavy or regressively realistic.
Nevertheless, Zoya Akhtar comes up with a taut screenplay comprising of some amusingly comic-but-credible characters. The twist in the interval point is especially noteworthy where Sona loses her chance and Vikram gets lucky. The treatment continuously alternates between humour to reality bytes but at no moment gets slapstick. The narrative even covers external factors affecting the film industry comprising of acting schools, drama-theatre, corporate studios to media houses and has interesting anecdotes on each.
Anand Subaya’s editing is crisp and he makes good use of montage mixture at several instances. The production design (Anuradha Parikh) and the costumes (Arjun Bhasin, Aparna Chandra) impart a perfect Bollywood feel to the film. The imaginatively shot opening credit song deserves a special mention for paying tribute to every uncelebrated craftsman involved in the making of a movie. Right at the onset, it defines and sets a perfect mood for the film. Shankar-Ehsaan-Loy’s musical score is engaging though a couple of songs in the second half were clearly avoidable.
Almost every character in the film has grey shades though not glorified to extreme extents. The movie reveals the double standards of industry people though not showing them in an outright negative light. The trivial scene where Hrithik as superstar Zafar is separated from the external world by his car’s glass window is a subtle metaphor for the confinements of stardom. The pre-interval confrontation between Farhan and his friends is another effective scene.
Zoya Akhtar succeeds in extracting perfect performances from each and every member of the cast. And if you think Isha Sharvani can’t act, she is used in the film to that effect. She is not supposed to act but simply look beautiful, which she does. Farhan Akhtar comes up with a natural and confident act and glides effortlessly through his role. Konkona Sen Sharma is as dependable as always and stands tall throughout the film. Rishi Kapoor gets the looks and mannerisms of his Bollywood producer character correct and is exceptionally hilarious. Dimple Kapadia is impressive as a yesteryear actress and the doting mother of her debuting daughter. Hrithik Roshan is decent in his extended special appearance.
Luck By Chance highlights how the film industry give regards to everything else but the story when making a movie and ironically weaves a fascinating story using that paradox.

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raaz2 (2009)Hindi movie download

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Movie Name : Raaz - The Mystery Continues
Director : Mohit Suri
Producer : Mukesh Bhatt
Starring : Emrram Hashmi ( Prithvi ), Kangna Ranaut ( Nandita ), Adhyayan Suman ( Yash )
Lyricist : Sayeed Qadri, Kumaar
Music Director : Sharib Sabri, Toshi, Gourov Dasgupta, Raju Singh
Writer : Shagufta Rafique
Genre : Thriller
Rating : ***1/2

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Raaz 2 Movie Review

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Rating: ★★★½☆ (Worth the price of your ticket.)

Movie Name : Raaz - The Mystery Continues
Director : Mohit Suri
Producer : Mukesh Bhatt
Starring : Emrram Hashmi ( Prithvi ), Kangna Ranaut ( Nandita ), Adhyayan Suman ( Yash )
Lyricist : Sayeed Qadri, Kumaar
Music Director : Sharib Sabri, Toshi, Gourov Dasgupta, Raju Singh
Writer : Shagufta Rafique
Genre : Thriller
Rating : ***/5

Horror films in Bollywood are few and far in between but this decade most have worked at the box-office. Phoonk was RGV’s biggest success in a long time and ditto for Vikram Bhatt who was at an all time career low when 1920 released and did reasonably well, last year.

Raaz – The Mystery continues
directed by Mohit Suri is not a sequel to Raaz, but a different story that belongs to the Raaz series. The comparisons are inevitable, as Raaz starring Bipasha Basu and Dino Morea is the biggest Bollywood hit ever in the horror genre.

So with expectations quite high, director Mohit Suri (Woh Lamhe, Zeher), Emraan Hashmi, Kangana Ranaut and Adhyayan Suman (son of Shekar Suman) promise to scare us with Raaz – The mystery continues. Do they succeed? Read the review..

For starters the story is filled with hair raising sequences, so if the horror genre is not something that you enjoy watching, give this a skip. The background music at times manages to scare the hell out of you. Movies like Phoonk and 1920 couldn’t scare me, but Raaz 2 at times did, especially some of the scenes involving Kangana! Talking of the scenes that cause quite a bit of Adrenaline Rush, there are two scenes that stand out. One at the New year party and the other involving Kangana, Emraan and the bulls!

Its one of those scripts which requires a director with skill and Mohit Suri has proved time and again that he is one of the most underrated directors in the industry. Apart from the last 30 mins of the film which isn’t very convincing, which is mainly due to flaws in the script, Mohit’s direction is top notch. Amongst the flaws, apart from the climax which doesn’t live upto expectations, the pace of Raaz 2 is quite slow.

The music like most Vishesh Films, is great. Soniyo is the best, followed by Tu Aaja Mere Maahi.

Performances are good. Adhyayan Suman on debut (by not taking the forgettable Haal-e-dil into consideration) is pretty good in the second half and has a good screen presence, huge scope for improvement though. But the film belongs to Emraan Hashmi and Kangana Ranaut. Both the seasoned actors are brilliantly expressive, a key to any good performance.

Overall, Raaz The Mystery Continues is a good horror film with good direction, fantastic performances and great music. Go with limited expectations and your sure to enjoy the film.

MASKA TELUGU MOVIE DOWNLOAD

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::: *ing: Ram, Hansika and others
Direction: B Gopal
Production: MS Raju
Music: Chakri

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Download Indumathi Telugu Thriller Movie

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Cast:Shivaji,Swetha

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Cast: Sonu Sood, Anushka

Music: Koti

Director: Kodi Ramakrishna

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LATEST BLOCKBUSTER MOVIE OF BOLLYWOOD STARRING AKSHAY KUMAR,DEEPIKA….MOVIE “CHANDINI CHOWK TO CHINA”

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Konchem Ishtam Konchem Kashtam (2009) MP3 Songs Downloads

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arundathi telugu movie review

Arundhati

Arundhati (Anushka) is the great grand daughter of the Raja of Gadwal Mahasansthan. Arrangements are being made for her marriage. Arundhati visits her native place before marriage. Her beau (Deepak) asks her to come to the fort of Gadwal, where she faces a horrible experience. Learning the history from an aged servant maid Chandramma (Manorama), Arundhati comes to know that she is a look alike of her great grandmother Jejamma (Anushka).
Jejamma was an expert in painting, dancing and fighting. She had an elder sister who was married off to her father's nephew Pasupati (Sonu Sood). Pasupati a womaniser used to rape the women he liked and kill those who objected. Jejamma's sister commited suicide and the people of Gadwal thrashed Pasupati severely and tied him to his horse when they got the approval from Jejamma and her father. Though Gadwal celebrated his death, he was actually saved by Aghoras, who served the devils. Pasupati mastered the tantrik arts and entered Gadwal fort to take revenge.
Jejamma who had learnt a special dance, cut off his tongue and pinned his hands at one go through her dance. She spared him to prevent him from becoming a 'pretatma'. Pasupati was buried alive in a tomb and powerful 'yantras' with inscriptions from Vedas and holy scriptures were put on it to prevent the 'pretatma' from coming out. After this revelation through flashback, a worker in a trance, unknowingly breaks the tomb and releases the 'pretatma'. The revenge drama ensues again. Anwar (Sayaji Shinde ) who treats patients through sorcery tells her that she is none other than Jejamma and asks her to fight Pasupati. From the portrait of Jejamma, Arundhati comes to know that her great grandmother had prepared a 'weapon' with her own bones and had kept it with some tribals. Anwar and Arundhati proceed to acquire the weapon, but Anwar meets with an accident.
Arundhati left with no option returns to the fort to get herself raped to prevent the death of her family members. Anwar collects the weapon and gives it to Arundhati and in the climax Pasupati dies in the hands of Arundhati.
PLUS:
Director Kodi Ramakrishna is known for making films like Ammmoru and Anji . He has acquired a penchant to make films by using graphics. Apart from his directorial expertise, it is the gripping screenplay by Mallemala Unit, which needs to be appreciated. The graphics used in the film are extraordinary. The unit has maintained a great difference between the lavishly painted fort with lighting and beautiful garden and the dilapidated fort. Anushka is at her best in the royal attire and her performance as Jejamma is very impressive. For a change, Sayaji Shinde has played a positive role in the movie as one who helps the heroine. Sonu Sood is good as a baddie. Other artistes are okay in their respective roles. Music by Koti is okay, and could have given a better re-recording. Editing by Marthand is appropriate with not so many boring and lengthy scenes. Camera work by Senthil Kumar is good and in tune with the graphics.
MINUS:
While showing the flashback scenes, the director should have taken more precautions by avoiding the railway gate etc. The face of Sonu Sood should have been morphed in a different way after the flashback episode. The audiences cannot digest the same face even after his death some 80
years ago. Anushka has failed to do the classical dance for Arundhati's role as she has no knowledge about classical dance. But for some technical errors here and there, the film as a whole has very less minus points. The director should have avoided the killing of Manorama and Sayaji Shinde.
REMARKS:
The film has evoked lot of expectations because of its long schedule. The film was started some 28 months ago and the unit shot the film for about 264 days. The budget of the film too had gone up from Rs 4 crore to Rs 13 crore. Despite all this, the release of the film was also delayed
by two days losing two valuable holidays during the Sankaranti season. Despite all these hurdles, the film has hit the screen finally and has earned a positive talk. Though not a good entertainer, the film will have a good run because of word-of-mouth publicity.
Credits:
Cast: Anushka, Sonu Sood, Deepak, Sayaji Shinde, Manorama, Satyanarayana, Annapurna, Ahuti Prasad, Chalapati Rao, Siva Parvati, Annapurna, and others.
Dialogues: Chintapalli Ramana
Lyrics: Dr MS Reddy, Dr C. Narayana Reddy, Veturi Sundararama Murthy, and Ananth Sriram
Music: Koti
Cinematography: KK Senthil Kumar
Editing: Marthand K Venkatesh
Action: Vijay
Choreography: Siva Shankar and Suchitra Chandrabose
Art: K Ashok Kumar
Story and screenplay: Mallemala Unit
Presents: Dr M S Reddy
Producer: M Shyam Prasad Reddy
Director: Kodi Ramakrishna
Banner: Mallemala Entertainments
Released on: January 16, 2009

rating

3/5

Chandni Chowk To China


Chandni Chowk To China, the first ever Bollywood Kungfu comedy takes you on a madcap Journey from the by-lanes of Chandni Chowk in Delhi, to Shanghai, the Great Wall and rural China, marrying in its wake hilarious gags, breathtaking action, spectacular locations and heart stirring emotions.Our protagonist Sidhu (Akshay Kumar) is the lowest on the totem pole, cutting vegetables at a roadside food stall in Chandni Chowk in Delhi. He longs to escape his dreary existence and looks for shortcuts- with astrologers, tarot readers and fake fakirs - basically believing anything except himself, despite his father figure Dada's (Mithun Chakraborty) best efforts.His redeeming moment arrives when two strangers from China claim him as a reincarnation of a war hero in the past and takes him to China. Sidhu now dreams of wine, women, and a princely existence in foreign lands. Thanks to the devious translator, a conman by the name Chopstick (Ranvir Shorey), little does he know that he is being taken to the Promised Land to rid the Chinese village of the vicious smuggler Hojo (Gordon Liu)!So Sidhu blissfully sets forth to China with Chopstick who instigates dreams of a delicious future and forgets to reveal the perils which await him. Along the way he meets Sakhi (Deepika Padukone), Ms. Tele Shoppers Media (Ms. TSM) who has embarked on a journey to pay homage to the land of her birth and her dead father and twin.Initially, Sidhu through a series of lucky coincidences manages to sidestep being beaten by Hojo's men but finally Hojo catches up with him and exposes him as the country buffoon that he really is. Sidhu has the fire of revenge in his belly and finds the one man who will make him a Kungfu expert and set the village free. Armed with his Sifu (master), faith in himself and the love of the fair Sakhi Sidhu sets forth to conquer all!


Overall Rating

3.5/5.0

Maska Movie Review


Director’s Portrayal Rating:2.75/5
1st half last 30 min lo establish ayina love chemistry ni continue chestha..edana conflict petti cinema tisi unte bagundedhi.Kani chethalo backdrop petti 2nd half anta chiraku putinchadu.oka scene bagundhi ani anukune lopala ventane vache 4,5 chetha scenes valla aa feel pothundhi.emana highlight point undhi ante sunil comedy ani chepochu TailPiece:purthiga faction cinema aythe chudochu..purthiga love story aythe chudochu kaani ila 1st half love 2nd half faction shades ante kaastha kastam.Over all ga oka 30-50 days adochu..avg cinema avthundhi..web reviewers ki..senior journos ki 1 week back ram lunch ichadu ani news.chudham adi emana use avthundhi emo ani.
public response:1st half average..2nd half rodIndustry response:30-50 days adochu.arundhathi ki konchem manchi talk vachina maska ki effect avochu.

NACHAVULE TELUGU MOVIE DOWNLOAD


Banner: Usha Kiron Movies

Cast: Tanish, Madhavi Latha, Kasi Vishwanath
Music: Sekhar Chandra
Lyrics: Bhaskarabhatla
Cinematography: Sudhakar Reddy
Art: Narayana Reddy
Choreography: Nixon
Editing: Marthand k VenkateshScreenplay: SatyanandStory - dialogues - direction: Ravi BabuProducer: Ramjo Rao
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sasirekha parinayam movie review


With Telugu flick Sasirekha Parinayam, Genelia comes together with actor Tarun and director Krishna Vamsi for the first time. The movie is inspired by Maya Bazaar. Sasirekha Parinayam is directed by Sunkara Madhumurali under the banner of Karthikeya Creations.
STORY:
Sasirekha (Genelia) is summoned by her strict father (Ahuti Prasad) to return home. After coming home she realizes that her marriage is fixed with an NRI and her wedding is due that night. She also learns that the groom’s father is money-minded. She has no choice left but to run away. She meets Anand (Tarun) on her journey. He protects her and helps her. The rest of the story is all about the background of Anand and what happens between the couple. Artists Performance.
GENELIA:
You would see an entirely different Genelia in this film. She did not wear any make-up. She is completely child-like and playfully innocent. It appears like she dubbed her own voice in certain scenes of the film. Her hysterical performance when she is slapped shows another shade of her. And her performance in the scene in which she banters after getting drunk is very good. She gave wide variety of expressions in this film.
Others: Tarun plays the second fiddle. But his performance in the hospital scene in the climax is ultimate. Ahuti Prasad scores again in this film. But his usage of expletives at end his dialogue is little discomforting to ears. Subbaraju dons a refreshing (away from his usual roles) role in this film. He is excellent. Paruchuri Gopala Krishna is extremely good as the villainous elder. Abhi did a significant role. Monali Chowdary is good in a cameo. MS Narayana is excellent in the tax-payers episode. Vamsi (Paiditalli from Happy Days) has a small, but interesting role.
Technical departmentsStory - screenplay - direction:
Story of the film has nothing to do with Jab We Met film but for a couple of slight references (heroine mouthing abuses on phone and the beginning notes of The story of the film is simple. Hence it is very difficult to write screenplay. There is only one screenplay knot that is opened in the interval. The entire second half is about how heroine falls in love with the hero. Hence there is no conflict point in the second half as audiences are well aware by then that heroine’s parents are not going to catch her. Though the initial half an hour after the interval bores you, the director turns it around with well conceived scenes towards the end of the film. The most hilarious scene in the film belongs to MS Narayana where he explains how drunkards are helping the Government. There are two defining moments in the second half
1. Genelia’s banter after getting drunk: The way heroine questions the man’s attitude and explains the depth of women’s heart showcases the director’s deep understanding of women. turns around from this moment. 2. Lead pair getting caught in an imbroglio: An unexpected scene from an unknown angle changes the complexion of the film and provides a lead to the climaxThe following episodes in the film are unappealing
1. The lorry driver rape attempt followed by hero saving heroine. 2. The court and jail episode. Other departments: Music of the film is alright. The best song on the screen is ‘Edo’ that comes before the climax. Nice rendition by Saindhavi helps the mood of the situation. Dialogues are nice. Krishna Vamsi seems to be allocating a few minutes of his film’s runtime to eulogize certain things in his recent films. If he had lengthy dialogues about railways and Indian traditions in Rakhi and Chandamama respectively, he tells some good things about
Vijayawada (only after belittling it). Cinematography is adequate.
The producer should have taken more care in the postproduction (especially DI) which would have enhanced the visual appeal of the film. Analysis: The title cards sequence (involving visuals of Maya Bazaar song Aha Na Pellanta’) is very good. The first half of the film is adequate. The initial half of the second half is boring (a common problem with journey flicks if they do not have conflict point). The director makes it up in the last half an hour. The positive points are Genelia and last half an hour. On the flipside, there is no conflict point (that creates dramatic impact) in the second half. This film has elements that can go well with class audiences and women. We have to wait and see how it fares at box office.
OVER ALL RATING:2.5/5