Watch Siddam Online Telugu Movie | Download Sidham PDVDRip Free | Starring - Jagapathi Babu, Sindhu Menon, Kota

Starring: Jagapathi Babu, Sindhu Menon, Kota and others
MUSIC : Amar Mohili
DIRECTOR : JD Chekravarthy
RELEASE DATE : Feb 12th 2009

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Movie Review - GOOD

Director JD Chekravarthy comes up with a new film after Homam. While Homam had all elements like action, suspense, drama, romance and big fights, the new film Siddham is just a plain cop story.

Story:

Dayananand (Jagapathi Babu) is a circle inspector in the task force. He is a family man married to Sindhu Menon and has a young daughter. Daya is popularly referred to an encounter specialist. He along with his team comprising of Narsing Yadav and other fellow officers eliminates one dreaded gangster after another.

Daya gets full support from his senior, police commissioner Kota Srinivasa Rao. However when a new commissioner Sivalinga Prasad (Radha Ravi) comes in place of Kota, trouble starts for Daya.

The new commissioner is a sympathizer of Chota, a dreaded don. Chota has a standing rivalry with another mafia leader Bilal as the two of them fight all the time to gain control of the underworld in Hyderabad.

After Daya catches Ashok (Subbaraju) a sharp shooter and the right hand man of Chota, Daya’s wife is shot dead.

Who killed Daya’s wife and how does Daya go about his task despite stiff opposition from the police commissioner and how he finally traces down the killer of his wife and eliminate him forms the basis for the rest of the story.

Performance:

The film is a Jagapathi Babu show all the way. He sports a new style for the film. Jagapathi Babu with his shortly cropped hair looks every bit the encounter specialist Daya, which he portrays on screen. He has played cop several times before and this is another good performance from him.

Kota has a brief role and he does justice to it. Mukul Dev as Bilal does a neat job. Sindhu Menon plays the role of Jagapathi Babu’s wife and her role is very brief. Narsing Yadav looks different in his shortly cropped hair and he also does a neat job.

The film Siddham is an out and out cop story and there is no room for much entertainment. The film has been made well and director JD Chekravarthy needs to be commended for making a clean film without too much violence, blood and gore that is so common in action films involving gangsters.

Finally, Siddham will appeal to only those people who are interested in cop films. The film has nothing much to offer to the family audience and children.

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Delhi 6 hindi movie Review

Movie Review: Delhi 6; Star Cast: Abhishek Bachchan, Sonam Kapoor, Rishi Kapoor, Om Puri and Waheeda Rehman; Director: Rakeysh Omprakash Mehra; Rating: *** - Is worth a watch.

Delhi 6 is a delightful musical run through the Hindu and Muslim cultures of Old Delhi as seen through the eyes of protagonist Roshan (Abhishek Bachchan) who comes to India to fulfill the desire of his terminally ill Daadi (Waheeda Rehman) to spend the last days of her life in her hometown. As Roshan after a brief culture shock, tries to understand the complexities of relations that kept his people apart from each other as well as close to each other, he slowly gets attached to Bittu (Sonam Kapoor) and the chemistry grows, which is very convincingly directed using rich background music and believable day-to-day situations.

The first half, though appearing a little lengthy focuses on reverse-culture-shock jokes, lavishly reproduced Ram Leela, a visit to the Taj Mahal, and a cow giving birth in the street. It is in the second half that things take a more serious turn. Unwelcome traditions and smoldering religious hatred comes bubbling to the surface and erupt into a Do the Right Thing climax that takes everyone by surprise. Several characters and subplots weaved together to relate to the central plot of analyzing beliefs against rational thinking, with a touch of humor is quite entertaining but one has to endure the laborious and forced accent of Abhishek Bachchan throughout the movie. Although at several places, the movie seems predictable, Mehra succeeds in putting surprises well in time and balance. The climax gets dragged due to cameos and voiceovers. Although Roshan’s attempts to put belief and trust in people ahead of belief in customs and religion deserve a pat, what disappoints is Mehra getting preachy at many places. Rahman’s soulful music takes the film to a completely different level altogether.

Mehra and his cameraman Binod Pradhan have succeeded in capturing the buzz of Delhi city very well in every frame. Those living outside of India will find that connect with that feeling of wanting to be in both places. The song in the second half which juxtaposes Abhishek’s life in the US with the people and life in India is beautifully done as well. Hat’s off to the director and technical team there.

Abhishek has delivered one of his better performances but his American accent doesn’t really work. Sonam Kapoor doesn’t have much to do but except for the climax but she carries herself immensely well. Waheeda Rehman, Om Puri and Rishi Kapoor are simply outstanding. The huge ensemble cast comprising of acclaimed actors such as Raghubir Yadav, Pavan Malhotra, Supriya Pathak Shah, Deepak Dobriyal, Divya Dutta, Vijay Raaz, Tanvi Azmi and Atul Kulkarni do a wonderful job.

Just look at the diversity of topics addressed convincingly through brilliant performances and slick editing, you will realize why I say it’s worth a watch!

Drona telugu movieReview

Film: Drona
Rating: 1.5/5
Cast: Nitin, Priyamani, Kelly Dorjee, Mukesh Rishi, Seeta, Siva Prasad etc
Editing: Gowtam Raju
Music: Anoop Rubens
Dialogues: Harsha Vardhan
Choreogrpahy: Amma Rajasekhar
Art: AS Prakash
Producer: DS Rao
Story, Screenplay, Direction: Karuna Kumar
Released On: 20th Feb 2009

KATHA
Drona (Master Sai Krishna) is the son of a sincere police officer (Mukesh Rishi). He shares ample love with his mother Meenakshi (Seetha). But a small mistake by him welcomes the anger of his father who batters him blue and black. Followed by that incident, Drona runs away from his house. He grows up (Nithin) and emerges as a robber. He happens to meet his parents and lives with them accidentally, keeping his past in secret with them. Why he maintains that secrecy? Where did he live all these years? What made him turn as a hardcore robber? Will the parents come to know that the boy for who they have given shelter is their own son Drona? That forms rest of the plot.

NATANA
Nithin has improved a lot especially in dance. He is showcasing many complex dance movements with ease and agility. But he still needs to groom his diction. Again he made a mistake by picking up a wrong line which doesn’t suit him.

Priyamani is the main attraction for this film as she revealed herself in bikini for the first time on silver screen. Unfortunately there is nothing else from her other than that glamour show. Although a National Award winning actress she has no big scope to act here.

Mukesh Rishi appeared in positive character role and Seetha is apt in her part. Siva Prasad and Kelly Dorjee have played antagonists and there is nothing special to speak about them as they did run-of-the-mill stuff.

Comedian Sudhakar, after a very long time, appeared in a guest role as doctor.

Music is ok with some songs but the background score is cacophonous. The dialogues are also not so exciting and the direction on a whole is amateurish. Some scenes resembled TV serials with extra length.

MYNUSLU
1. The scene where Kelly Dorjee holds Seetha in front of a shopping mall while Nithin comes out swiftly to save her - is a perfect TV serial styled, with too many close up shots.
2. The introduction scene of Nithin with SUV and helicopter chase is overdosed and unconvincing.
3. Micro Capsule injections used by antagonists are also ludicrous.

And director has taken liberties to lift scenes from the film ‘Batman’ (during robbery) and also from the popular Yana Gupta’s ‘Bapujee Jara Dheere Chalo…’ song (on Rakhi Sawanth while she pours beer on her legs to quench the thirst of lusty tongues).

CONCLUSIONU
It’s an upside down effort. Only the much publicized Priyamani’s bikini song should pull mass crowds to theaters. And the film hardly finds repeated audiences.

The comedy is also weak although Venu Madhav tried to spill some laughs. The track is written very weak and hence things didn’t work at all. Sunil appeared in some scenes and ok. Arundhati comedy is grooved on Venu Madhav which would have got extended in proper way and complete manner.

First half of the film moves heavily with lot of non-exciting scenes. Second half has action elements but those aren’t in tune with the interest levels of audiences. The overdosed subject with an island background has diluted the tempo of the film on a whole. Climax is weak and boring.

To sum up the only saving grace for this film to reduce the loss to maximum extent is Priyamani’s glamour show on posters.

Billu Barber 2009 [NEW] - Hindi Movie Online/download

Cast: Irrfan Khan, Shah Rukh Khan, Lara Dutta, Om Puri, Rajpal Yadav, Manoj Joshi and Asrani.
Director: Priyadarshan
Producer: Red Chilies Entertainment
Music Director: Pritam
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STARRING : Siddharth, Tamanna, Prakash Raj, Ramya Krishna
MUSIC : Shankar-Eeshan-Loy
DIRECTOR : Kishore Parthasarathy
RELEASE DATE : Date: 05 February 2009
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Billu: Movie Review

Director: Priyadarshan
Cast: Irrfan Khan, Lara Dutta, Shah Rukh Khan
Rating:

Priyadarshan decides to make (rather remake) another film. Perhaps his criterion for remake depends more on the ease of adaptability, over appeal in the original source. That leads to bland attempts like Billu .
Irrfan Khan is given the onus to act while Shah Rukh uses the attempt as a testimonial to himself. The curvaceous profiles of Deepika, Priyanka and Kareena are supposed to make up for the flatness of the plotline.
Billu (Irrfan Khan) finds it difficult to make ends meet by working as a barber (oops, is that a derogatory term? At least the multiple mute punches in the film imply so). He doesn’t earn enough to pay his children’s school fees or ensure daily bread for the family. He has less customers and more cash-crisis.
Abruptly enters Sahir Khan (Shah Rukh Khan), a Bollywood superstar who shoots for item songs while his film’s script is still being randomly written. The script is supposedly futuristic in genre but Sahir strangely insists on shooting it in a village. The unit ends up in Billu’s backyards.
Word spreads that Billu and Sahir were childhood friends following which the star-struck village lends liberal support to the poverty-stricken barber. Everyone from the village moneylender (Om Puri) to the school principal (Rasika Joshi) wants to have a glimpse of Sahir Khan through Billu. But Billu is too hesitant to approach Sahir due to the vast difference in their social status.
Priyadarshan and Mushtaq Sheikh take credits for the screenplay, though ironically they only snip out scenes from the original Malayalam film Katha Parayumpol . The retained portions are a frame-to-frame replica of the original film with no novelty. Nevertheless the storyline of the primary source in itself is one-dimensional throughout and only stressed and stretched on the barber’s starry influence with no twists or turns whatsoever.
One doesn’t expect the sensitivity of Hrishikesh Mukherjee’s Guddi with the film-inside-film setting. But the story is neither intricately woven around the film industry like in the recent Luck By Chance nor is the format entertainingly-exploited like in Shah Rukh’s own Om Shanti Om . All that the Bollywood backdrop does is make way for some superfluous item numbers or formulaic action sequences, unconnected to the core plot.
There are those regular glitches galore – like the village belle Lara Dutta is always decked up with eyeliners and lip-gloss though there’s no food for the family. The scenes shot in Sahir’s film hardly need a village setting. It’s never explained how the villagers know of Billu and Sahir’s friendship when Billu never makes it public. And perhaps the term barber and hajam sound offensive only when sung, since they are muted in songs but oddly retained in dialogues. What’s the logic? You don’t ask that question in a Priyadarshan film, even if it’s not his fault.
The director continues his brand of loud comedy though Manisha Korde’s figurative dialogues come to rescue at some instances. Finally the film attempts to reconcile its patchy plot with an emotionally driven climax but it only turns out to be an end of too much coincidence and convenience. However the culmination could still work for all those who get touched by the likes of Shah Rukh’s emotive outburst in Mohabbatien . The friendship between Billu and Sahir is never established throughout the film and only surfaces in the last scene. Some flashback account of their childhood companionship could have helped. Sadly after all this, the film doesn’t even end on a moral tone, though it had ample scope for it.
Irrfan Khan is aptly cast in the role of Billu and carries off his character effortlessly. But we have seen him play such roles so often that there remains no uniqueness in his act. Shah Rukh Khan has to just play himself which brings no challenge to his character. The onscreen and offscreen mass hysteria of his Southern prototypes, like Rajnikanth in Kuselan , is so colossal that SRK comes nowhere close in making his character ‘hero’ic. Rajpal Yadav, Om Puri and Asrani are so common to Priyadarshan films that it becomes difficult to differentiate them from their earlier works.
Reportedly, Priyadarshan plans to attempt a horror film next but the hair-raising effect has already started. That’s because you would rather want to skip visiting Billu barber’s parlour. This one’s certainly not worth letting your hair down.

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Ramcharan's political song

While his father and uncles are busy with the political canvassing, Ram Charan Tej is busy with his latest upcoming movie Maga Dheerudu under the direction of Rajamouli. However, he wants to do his bit of contribution towards his father's party. Recently, Ram Charan Teja has sung a song for the campaign of 'Prajarajyam Party'. Upcoming young lyricist Ananth Sreeram had written the song while Mani Sharma composed the music. The fans of Chiranjeevi and Ram Charan are eager to listen to the song as soon as possible. The song is set to release on 10th February.

The song continues for four minutes. PRP official sources confirmed the news. His song is likely to boost up the spirits of his party cadre. However, Ramcharan Tej may not participate in the direct political campaign.

SOON WE ARE GOING TO POST SONG……

Dev D Movie review

Cast: Abhay Deol, Mahi Gill, Dibyendu Bhattacharya, Kalki Koechlin and others;

Director: Anurag Kashyap;

Ratings: 3 out of 5.

One more Devdas. This time director Anurag Kashyap has come up with the latest version. If you watch the movie, you’ll find a major difference between K.L. Saigal, Dilip Kumar, Shah Rukh Khan and Abhay Deol’s Devdas.

The first three films were faithful to Sarat Chandra’s legendary novella, while Anurag Kashyap’s deviant take on Devdas is contemporary and differs from the original work.

Let me clarify that how the DEV D is different from others. Dev, the lead character of the move, is into drugs and vodka. Paro sends her nude pic to Dev via email and later, wants Dev to have sex with her in the fields. Chanda, a hooker, indulges in phone sex mainly. Clearly, Kashyap’s Dev, Paro and Chanda are audacious and rebellious.

One can say that DEV D is a bridge between original and Bhasali’s Devdas. In ‘Dev D’ the director takes just the spirit of ‘Devdas’ and woven it around contemporary headlines from the last 10-15 years. Though, Kashyap accepted that he never liked Sarat Chandra’s novel.

While earlier versions of “Devdas” were shot in West Bengal, especially Kolkata, Kashyap has based his film in Punjab and Delhi.

The story of the movie revolves around Dev (Abhay Deol), son of a rich industrialist, who is sent away to London when he was 12.

Dev returns to his hometown and to Paro (Mahi Gill), his childhood sweetheart. Inseparable as they seem, a misunderstanding puts their lives in a tizzy; Paro is married off to someone else and Dev goes into severe depression.

Post Paro’s marriage, DEV D starts going downhill. Lenny/Chanda’s MMS scandal is straight out of life and the reasons that make her turn into a hooker are well explained. But the sequences between Dev and Chanda lack fizz.

Amit Trivedi’s music sounds good to the ears.

PLEASE WRITE YOUR OWN COMMENTS ABOUT THE FILM

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Komaram Puli title song leaked in internet and is creating waves.A R Rahman is composing music for Komaram Puli.The song leaked in the internet is Title song of Puli and is excellent.Most of song is in English with Puli humming in between and Rahman style can be distinctly seen in Puli song composition.The title song of Komaram Puli is 2minutes and 39 seconds.

Komaram Puli is set to release in this summer and S J Surya is directing this movie.Komaram Puli is 50 percent shot and the unit took a break due to busy schedule of Pawan Kalyan.Pawan Kalyan took this movie as prestige as Puli is releasing during the election time.

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KONCHEM ISHTAM KONCHEM KASHTAM MOVIE REVIEW

KIKK Movie DetailMovie Name : KIKKMovie Type : TeluguDirector : Kishore KumarMusic Director : Shankar-Ehsaan-LoyProducer : Nallamalupu SrinivasRelease Date: 5th February, 2009Cast : Brahmanandham, Prakash Raj, Ramya Krishna, Karunas, Sunil, Nazar, Venu Madhav and others.
KIKK Movie Story
Konchem Ishtam Konchem Kashtam is the story that is about an actor Siddhartha. The character he plays, is a young guy Siddhu who has gone to MBA and is still looking for fun in life. Geeta is a girl with some wits and wisdom. She controls the second permission from his father, and come to the city and into college. Moreover, Siddhu and Geeta met, and for any real length they fall in love. Geeta convey the same to his father, Nazar, not against marriage, but have a difficult question in his mind. The rest of the story is that how Siddu planning reunion of his mother and father.

OVER ALL RATING:2.5/5

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STORY OF THIS MOVIE INSPIRED BY HINDI MOVIE OF AMITABH,AKSHAY KUMAR N AISHWARYA RAI’S “KHAKEE”

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